Tuesday, April 14, 2009

TV Review: American Idol, Season 8

So okay, the other day I found the remote, dusted off the screen and turned on the television set. Apparently, there's this show called American Idol... anybody heard about this? It's like a talent show but with a huge audience. Must be a mandatory school assembly or something.

Anyway the point of American Idol, as I gleaned from the lead-ins to commercial breaks, is to be the next American Idol. This is what the short man with the hair gel told me. Singers from around the country apparently wait all day at multiple casting calls for their approximate 1 in 1000 chance to be judged on national television while presenting what they feel is their best work. The best singers are told they're "going to Hollywood woooooo!" and the worst of the worst are also strung along and given false hope so they can be trotted out and mocked by an international audience.

Those who make it stay on the show to sing songs that were already adequately performed and recorded by professionals. It's sort of like karaoke, except people apparently listen and also most songs are not "Before He Cheats".

After their histrionic ballad or a sterilized rock song, they are reviewed on-the-spot by the panel, made up of four celebrity judges. The first is Randy Jackson, who played bass for bands without good bassists (like Journey) and who produced the hottest ticket in town, Randy Jackson's Music Club, Volume 1. He is there cause everyone likes to be called "dawg". Paula Abdul is there because she knows what it takes to make a hit, and for twenty years she has straight up foregone her own hit-making tips so as to selflessly leave more room on the charts for others. A fellow named Simon Cowell, whom you'll recognize as the producer of legendary recordings by Ultimate Kaos, Zig and Zag, WWF, and the Teletubbies, is there to tell us what is "dreadful". With a resume like his, you have to think he knows what he's talking about. Finally there is singer-songwriter Kara DioGuiardi, who is famous for being a judge on American Idol.

Rather than highlighting the best and praising the most dedicated and talented performers, American Idol takes the novel approach of focusing each episode on the "Bottom Three", where the host announces which three performers did the crappiest job this week. As the season rolls along, the show democratically allows the viewers to vote on who should stay, while each judge is aware that they can override what the stupid public thinks by saving a performer they like. The American Idol, I am led to believe, is the last singer standing on the show, and they are rewarded with a record contract. Folks who do not win can only aspire to be as successful as the likes of Jennifer Hudson, Katherine MacPhee, and Elliot Yamin.

At any rate, I hope the Celtics win tonight so I'll have something to talk about tomorrow.

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